About
Atlanta Fringe Festival
Overview
How It Works:
- Our festival lineup is selected via unjuried lottery, opening it up to artists of all backgrounds, disciplines, and experience levels.
- Our low submission and production fees make it easier for artists of all economic backgrounds to participate.
- Our open submission period typically lasts through December and January, with the festival taking place the first week of June
- Once selected, our artists are guaranteed four performances and one technical rehearsal in one of our spaces (typically in East Atlanta within easy walking/driving distance of our festival HQ.) All spaces come fully staffed with technicians and FOH workers. Artists need only worry about what they perform in the space.
- Artists receive 100% of their box office (after some small fees.) Atlanta Fringe does not receive any of the money the artists have earned at he box office.
- In addition to their box office, artists are eligible to receive cash prizes for awards as chosen by audience votes (for large and small cast), Critic’s Choice, and Producer’s Choice.
- All artists will also receive professional pictures of their performances to help them promote their shows going forward.
- In addition to mainstage shows, our festival typically includes a Five/5ths fundraising performance of a popular movie, a free preview night with 3-minute excerpts from all performances, late night showcases and afterparties, as well as free Kid’s Fringe activities for families of all ages. In 2024 we added a Street Fringe incorporating buskers performing in and around our festival HQ throughout the weekend.
The Mission
The Atlanta Fringe Festival is dedicated to connecting adventurous artists with appreciative audiences for the betterment of the Atlanta arts community.
Operation
The Atlanta Fringe is produced by Twinhead Theatre, a 501(c)(3) nonprofit organization, and is operated by a core volunteer committee of 10 dedicated people, with assistance from many event volunteers, as well as paid festival technicians and front-of-house staff.
The Gist
Years of ATL Fringe
Artist Companies Produced
Audience Members
Paid out to artists, technicians, and staff
Staff & Board
The Atlanta Fringe has been a labor of love for a small group of enthusiastic arts and Atlanta lovers. Since summer of 2010, we’ve been envisioning, constructing, and selling the Fringe from the ground up, using very little monetary resources and Facebook to get the word out. This grassroots approach has lent the festival its own unique energy and it has taken on a life of its own since we began building it. We hope for even more of that energy and growth in years to come!
Diana Brown
Executive Director & Festival Co-Founder
Diana Brown (she/her) earned a B.A. in Theatre from Georgia State University and started her own theatrical ensemble Twinhead Theatre, for which she acted as managing director and secured their nonprofit status, as well as collaborating on the writing, performing, and directing of more than 60 original productions. As an independent theatre producer, she was strongly attracted to the potential of fringe festivals, and in 2010 began building the team and plans for the Atlanta Fringe. Since 2012, she has served as the Executive Director, securing venues, sponsors, vendors, and funding for the annual event, overseeing ancillary events, managing the year-round volunteer committee of 10-14, and liaising with the board of directors. Sometimes she has to create social media posts or unload a truck or clean vomit out of a sink and she does that too. At her day job, she exercises her creative muscles as a podcast writer and host with iHeartRadio. Diana has also served on the performing arts selection panel for Art on the Atlanta Beltline and is a 2016 graduate of the Arts Leaders of Metro Atlanta program facilitated by the Atlanta Regional Commission.
Nadia Morgan
Production Director & Festival Co-Founder
Nadia (she/her) is currently the US Operations Manager for Exhibition Hub, presenting Immersive Art and Edutainment Experiences across the US. She has been a set designer, scenic artist, technical director, electrician, stage manager, production manager and enjoyed working with many Atlanta Theatre, Dance Organizations, including Dad’s Garage, 7 Stages, The Lucky Penny, Theatrical Outfit, Georgia Ensemble Theatre, Horizon Theatre, True Colors Theatre and the Modern Atlanta Dance Festival. Favorite Scenic Artist credits as an IATSE 479 member, include The Vampire Diaries, Dynasty, and A Walk in the Woods. Nadia received her B.A in Theatre from Georgia State University and her M.F.A in Scenic Design with a specialty in Scenic Painting from CalArts in 2007.
Tori Weddell
Festival Director
Tori (she/her) is an Atlanta playwright, producer and accountant who believes that those titles are not as contradictory as they seem. She holds a BFA in Performing Arts from AMDA College, an MFA in Playwriting from Sewanee: The University of the South and is currently pursuing a Masters in Accountancy from GSU’s Robinson College of Business. She’s the founder and artistic director of ATL Original Works, best known for its seasonal performing arts variety show at PushPush Arts. By day, she works as Production Coordinator for POPfilms and POPcom Studios and operates Weddell Bookkeeping, an accounting service provider specializing in film and theater. Her full-length play, Home Court, (think Romeo & Juliet with immigration reform) was featured at Synchronicity Theater’s Stripped Bare series in April of 2026.
Chris Alonzo
Marketing Director
Chris (he/him) is a playwright/musician/producer whose live lit performances have been staples of local Atlanta shows like Write Club, Carapace, Scene Missing, Joy Deficit and more. He graduated from the University of Texas with a BA in Theatre, a three-time recipient of the university’s James Michener award for writing. In New York City he was a playwriting fellow with the New York Theatre Workshop, worked as a marketing assistant for Broadway and Off-Broadway shows, served as Managing Director of Manhattan Children’s Theatre and independently produced and marketed theatre and music for himself and a bunch of other weirdos. Currently living in Macon, he is a regular performer at Storytellers Macon and has appeared in productions with Theatre Macon and Macon Little Theatre, in addition to chairing the marketing committee for Bragg Jam. He currently works as a Creative Specialist in financial services marketing and has the best kid in the universe.
Femmaeve MacQueen-Rose
Operations Director
Larry Mason
Accessibility Coordinator
Larry (he/him) is a multifaceted artist and disability advocate who has received awards for his writing, acting, sound design, and instrumental playing. After receiving his BA in Theatre from Jacksonville State University in Alabama, he continued his education by pursuing his MFA in Collaborative Theatre Creation with Touchstone Theatre in PA. Now he is focusing on polishing his craft and developing his own Performance Art form based on Augusto Boal and Brecht, focusing on facilitating conversations on and around disability and accessibility for and by people affected by disability and their loved ones. Larry joined Atlanta Fringe in 2023 as the Accessibility Coordinator, helping to ensure Fringe artists and audiences with disability needs are accommodated properly. His role then expanded to include recruitment and coordination of volunteer event and box office helpers to ensure the festival runs smoothly.
Mari Martinez Zinser
Kids Fringe Director
Mari (she/her) is a Teaching Artist who holds a B.A. in Theatre from Florida State University and a M.S. in Educational Theatre from City College of New York. She has worked with The Alliance Theatre as a Wolf Trap teaching artist for the past seven years. As a Teaching Artist, she coaches teachers across metro Atlanta in using arts integration strategies in their classrooms. This is her second year with Atlanta Fringe.
Ted Wenskus
Fringe Audio Director
Additional Steering Committee Members:
Louis Kyper – Street Fringe Director
Joshuia Campbell – Production Assistant Director
Joshulyn Carnes – Logistics Assistant
Sof Delgado – Marketing & Outreach Specialist
Fringe Festival History
Today, Fringe festivals are all over the world (Prague, Canada, Singapore, Australia, Ireland, Budapest) as well as many major cities in the United States (New York, Minneapolis, Hollywood, New Orleans, Chicago), and they are a tremendous hub for new, original, and exciting performance work.
