About

Atlanta Fringe Festival

Overview

How It Works:

  • Our festival lineup is selected via unjuried lottery, opening it up to artists of all backgrounds, disciplines, and experience levels.
  • Our low submission and production fees make it easier for artists of all economic backgrounds to participate.
  • Our open submission period typically lasts through December and January, with the festival taking place the first week of June
  • Once selected, our artists are guaranteed four performances and one technical rehearsal in one of our spaces (typically in East Atlanta within easy walking/driving distance of our festival HQ.) All spaces come fully staffed with technicians and FOH workers. Artists need only worry about what they perform in the space.
  • Artists receive 100% of their box office (after some small fees.) Atlanta Fringe does not receive any of the money the artists have earned at he box office.
  • In addition to their box office, artists are eligible to receive cash prizes for awards as chosen by audience votes (for large and small cast), Critic’s Choice, and Producer’s Choice.
  • All artists will also receive professional pictures of their performances to help them promote their shows going forward.
  • In addition to mainstage shows, our festival typically includes a Five/5ths fundraising performance of a popular movie, a free preview night with 3-minute excerpts from all performances, late night showcases and afterparties, as well as free Kid’s Fringe activities for families of all ages. In 2024 we added a Street Fringe incorporating buskers performing in and around our festival HQ throughout the weekend.

The Mission

The Atlanta Fringe Festival is dedicated to connecting adventurous artists with appreciative audiences for the betterment of the Atlanta arts community.

Operation

The Atlanta Fringe is produced by Twinhead Theatre, a 501(c)(3) nonprofit organization, and is operated by a core volunteer committee of 10 dedicated people, with assistance from many event volunteers, as well as paid festival technicians and front-of-house staff.

The Gist

Years of ATL Fringe

Artist Companies Produced

Audience Members

Paid out to artists, technicians, and staff

Staff & Board

The Atlanta Fringe has been a labor of love for a small group of enthusiastic arts and Atlanta lovers. Since summer of 2010, we’ve been envisioning, constructing, and selling the Fringe from the ground up, using very little monetary resources and Facebook to get the word out. This grassroots approach has lent the festival its own unique energy and it has taken on a life of its own since we began building it. We hope for even more of that energy and growth in years to come!

Diana Brown

Executive Director & Festival Co-Founder

Diana Brown (she/her) earned a B.A. in Theatre from Georgia State University and started her own theatrical ensemble Twinhead Theatre, for which she acted as managing director and secured their nonprofit  status, as well as collaborating on the writing, performing, and directing of more than 60 original  productions. As an independent theatre producer, she was strongly attracted to the potential of fringe  festivals, and in 2010 began building the team and plans for the Atlanta Fringe. Since 2012, she has  served as the Executive Director, securing venues, sponsors, vendors, and funding for the annual event,  overseeing ancillary events, managing the year-round volunteer committee of 10-14, and liaising with the board of directors. Sometimes she has to create social media posts or unload a truck or clean vomit out of a sink and she does that too. At her day job, she exercises her creative muscles as a podcast writer and host with iHeartRadio. Diana has also served on the performing arts selection panel for Art on the Atlanta Beltline and is a 2016 graduate of the Arts Leaders of Metro Atlanta program facilitated by  the Atlanta Regional Commission. 

Nadia Morgan

Production Director & Festival Co-Founder

Nadia (she/her) is currently the US Operations Manager for Exhibition Hub, presenting Immersive Art and Edutainment Experiences across the US. She has been a set designer, scenic artist, technical director, electrician, stage manager, production manager and enjoyed working with many Atlanta Theatre, Dance Organizations, including Dad’s Garage, 7 Stages, The Lucky Penny, Theatrical Outfit, Georgia Ensemble Theatre, Horizon Theatre, True Colors Theatre and the Modern Atlanta Dance Festival. Favorite Scenic Artist credits as an IATSE 479 member, include The Vampire Diaries, Dynasty, and A Walk in the Woods. Nadia received her B.A in Theatre from Georgia State University and her M.F.A in Scenic Design  with a specialty in Scenic Painting from CalArts in 2007.

Tori Weddell

Festival Director

Tori (she/her) is an Atlanta playwright, producer and accountant who believes that those titles are not as contradictory as they seem. She holds a BFA in Performing Arts from AMDA College, an MFA in Playwriting from Sewanee: The University of the South and is currently pursuing a Masters in Accountancy from GSU’s Robinson College of Business. She’s the founder and artistic director of ATL Original Works, best known for its seasonal performing arts variety show at PushPush Arts. By day, she works as Production Coordinator for POPfilms and POPcom Studios and operates Weddell Bookkeeping, an accounting service provider specializing in film and theater. Her full-length play, Home Court, (think Romeo & Juliet with immigration reform) was featured at Synchronicity Theater’s Stripped Bare series in April of 2026.

Chris Alonzo

Marketing Director

Chris (he/him) is a playwright/musician/producer whose live lit performances have been staples of local Atlanta shows like Write Club, Carapace, Scene Missing, Joy Deficit and more. He graduated from the University of Texas with a BA in Theatre, a three-time recipient of the university’s James Michener award for writing. In New York City he was a playwriting fellow with the New York Theatre Workshop, worked as a marketing assistant for Broadway and Off-Broadway shows, served as Managing Director of Manhattan Children’s Theatre and independently produced and marketed theatre and music for himself and a bunch of other weirdos. Currently living in Macon, he is a regular performer at Storytellers Macon and has appeared in productions with Theatre Macon and Macon Little Theatre, in addition to chairing the marketing committee for Bragg Jam. He currently works as a Creative Specialist in financial services marketing and has the best kid in the universe.

Femmaeve MacQueen-Rose

Operations Director

Femmaeve (she/they) joined the Atlanta Fringe Festival team as a logistic coordinator in 2023 and was promoted to her current role in 2024. She is an Atlanta-based theater producer, actor, and writer dedicated to audacious transgender visibility on stage and screen. Prior to moving to Atlanta, Femm worked as an operations director at Short Mountain Sanctuary, an off-grid non-profit organization providing vocational rehabilitation for LGBTQ+ people in middle Tennessee. Her producer-writer credits include a series of one-act farces at Cornelia Street Cafe (NYC) and the full-length verse drama The Resurrection of Clay (2014 O’Neill Semi-finalist) at Under St. Marks (NYC). Other past work includes staged oral history projects, devised theater of varying successes, an epic pageant for queer community, and, during an apprenticeship with Bread and Puppet, rough puppetry skits about social justice. Her explorations on interruptive performance were presented at Northwestern University, the School of the Art Institute of Chicago, and Goddard College. Femm holds advanced degrees in queer performance studies and American studies, focusing on comparative humanities, structural oppression, and collective emancipation. In 2025, her short plays, Like Vines and A Man of Her Times received staged readings at Working Title Playwrights’ 2025 Fornés Conference and Ghostlight Lab, respectively. Recently, Femm debuted a workshop of her new performance poem, Still Life With Roses, in December 2025 as part of her writing fellowship at FADlab, Atlanta.

Larry Mason

Accessibility Coordinator

Larry (he/him) is a multifaceted artist and disability advocate who has received awards for his writing, acting, sound design, and instrumental playing. After receiving his BA in Theatre from Jacksonville State University in Alabama, he continued his education by pursuing his MFA in Collaborative Theatre Creation with Touchstone Theatre in PA. Now he is focusing on polishing his craft and developing his own Performance Art form based on Augusto Boal and Brecht, focusing on facilitating conversations on and around disability and accessibility for and by people affected by disability and their loved ones. Larry joined Atlanta Fringe in 2023 as the Accessibility Coordinator, helping to ensure Fringe artists and audiences with disability needs are accommodated properly. His role then expanded to include recruitment and coordination of volunteer event and box office helpers to ensure the festival runs smoothly.

Mari Martinez Zinser

Kids Fringe Director

Mari (she/her) is a Teaching Artist who holds a B.A. in Theatre from Florida State University and a M.S. in Educational Theatre from City College of New York.  She has worked with The Alliance Theatre as a Wolf Trap teaching artist for the past seven years. As a Teaching Artist, she coaches teachers across metro Atlanta in using arts integration strategies in their classrooms. This is her second year with Atlanta Fringe.

Ted Wenskus

Fringe Audio Director

Ted (he/him) is a sound designer, theatre/voice actor, and Foley artist who has worked on 100+ audio dramas and radio plays, including live staged performances, audio projects for the National Park Service, and titles for Audible. He lives in Rochester, NY and has helped steer the Fringe Audio program for Atlanta Fringe for over three years.

Additional Steering Committee Members:  

Louis Kyper – Street Fringe Director

Joshuia Campbell – Production Assistant Director

Joshulyn Carnes – Logistics Assistant 

Sof Delgado – Marketing & Outreach Specialist

Fringe Festival History

Back in 1947 in Edinburgh, Scotland, the biggest theater arts festival had a little brother named Fringe. The Fringe Festival allowed indie, underground, original theater companies and artists—amateurs and professionals alike—to showcase their work. Historically, Fringe festivals are all about being performance arts-centric, original, rapid-fire, uncensored, and easy to participate in. Most festivals try to get a good mix of local, national, and international talent, and AFF is no different.

Today, Fringe festivals are all over the world (Prague, Canada, Singapore, Australia, Ireland, Budapest) as well as many major cities in the United States (New York, Minneapolis, Hollywood, New Orleans, Chicago), and they are a tremendous hub for new, original, and exciting performance work.

Years of History

Number of Festivals

×
×





Please Wait
Talking to the Box Office...