ATL Fringe: The Buzz Intro Interviews
The Buzz Intro Interview | Kit Fay
“I have seen so much loss in my immediate community and creating places for everyone to process and find happiness and try out things they want to try has become so important to me in my artistic practice.”
The Buzz Intro Interview | Mother Flockers
“This show was created with a very peculiar process- which means it won’t look like a traditional “well made play”. It’s more akin to a bacchanalian band of satyrs, who have ritualized the themes of American Society.”
The Buzz Intro Interview | Flay’s Anatomy
“I’ve learned a lot about the power of not-knowing, and not needing to know – the creative activation inherent in unsolved mysteries…”
The Buzz Intro Interview | Oldest and Dearest
“Essentially we just want to have fun and create emotive experiences along the way. The struggles of the world motivate us to be even sillier!”
The Buzz Intro Interview | Bobby Wesley
“It’s too easy to spin a good yarn for laughs and feel-goods, but ultimately I’m hoping to learn something about myself and share it.”
The Buzz Intro Interview | Renee Marchol
“People are often gravely uncomfortable talking about a time they had to go hungry. But do they dwell just as much on the times they were fed?”
The Buzz Intro Interview | BFG Images
“(At Fringe) you can break the conventions of traditional storytelling because the audience has no expectations for what they’re about to see. The freedom to explore in these unconventional ways is why so many of us create art.”
The Buzz Intro Interview | Botticelli Babes
“Through this show, we have discovered that it isn’t only infamous women who have been flattened by the narratives written by a patriarchal system, but all women are flattened by these narratives.”
The Buzz Intro Interview | Sarah Michelson
“I’m deeply fascinated by the idea of hauntings. I’ve felt haunted. And ignoring a ghost is not the same as exorcising it.”
The Buzz Intro Interview | Rya
“Each day I had to constantly affirm I was good enough and what I was creating was interesting and valid! That first draft pushed me so outside my comfort zone.”
The Buzz Intro Interview | The Winding Sheet Outfit
“What it’s really about is being okay with grey areas, never believing in one thing so hard that you can’t allow yourself a little wonder, to allow yourself the gift of asking ‘what if?'”
The Buzz Intro Interview | The Atlanta Contemporary Dance Company
“I think we as artists, and particularly women, put so much of ourselves into our art and it can be incredibly unnerving to put your art out there for potential criticism.”
The Buzz Intro Interview | Kate Morales
“Much of this show draws from or takes place in the dreamworld, which is a nightly source of creative material with which I have been able to cultivate a strong relationship even in times of social isolation.”
The Buzz Intro Interview | Speakeasy Sirens
“I wanted to take my craving for the camp and comedy and find theater lovers just as enthusiastic as I was to bring this story to life.”
The Buzz Intro Interview | SobSax
“Instead of trying to write a novel, I adapted the story for the stage as a kind of La Bohème or Rent set in L5P.”
The Buzz Intro Interview | Lily Kerrigan Presents
“Telling a story onstage is a great way to get the last word against anyone who’s wronged you.”
The Buzz Intro Interview | MerryCat Productions
“Fringe Festivals are great because artists are not beholden any type of regulatory body – no rules!”
The Buzz Intro Interview | Time Machine Blueprints
“By the end of the show, you’ll likely believe that Time Travel will be possible someday and I’ll even tell you how I think we’ll do it. But I’m going to make you laugh first.”
The Buzz Intro Interview | Au Guys
“We just came off of a format we had been doing called Made Up Movie Night that was a little more structured, and we wanted to create something unique but a little more loose and wild.”
The Buzz Intro Interview | Linnea Bond
“When you tell your own story, no matter how unique it is, others will resonate with it if you are honest and vulnerable because as humans we experience the same feelings, just in different ways.”
The Buzz Intro Interview | MEB Productions
“I love being on stage, in front of people, doing what I love best, seeking attention and approval!”
The Buzz Intro Interview | Sloan Brettholtz
“This is a big “F You” to everyone who makes you shut down that side of you that just wants to sing, who just wants to dance.”
The Buzz Intro Interview | Forever Standing Productions
“When I was going through my life changes and reminiscing on my past and the dreams I had as a kid, it inspired me to share a story about dance and dreams to inspire others to follow their passion. That’s how Rhythm of Love the Musical was born.”
The Buzz Intro Interview | Imaginary Podcast Network
“Danna submitted this idea to the 2023 Tucson Fringe, and then when we landed in the airport Tucson, we invented the format of the show.”
The Buzz Intro Interview | Augustus Graves: Magician
“Navigating the challenges of COVID and its aftermath sparked a profound shift within me. Thus, I embarked on a journey to create a show that not only captivates but also provokes thought.”
The Buzz Intro Interview | Hunter Dance Project
“As we had conversations about our families including retirement, care-taking, and the general joys of aging, the piece evolved into abstract storytelling in order to share elements of our own familial histories and influences.”
The Buzz Intro Interview | The Assembly of Phantasms
“I’ve always been a fan of Edgar Allan Poe. Once I read through The Masque of The Red Death, I instantly knew that it would lend itself easily to my vision.”
The Buzz Intro Interview | Spotlight Exchange
“Although it seems like the whole world has paused in the past few years, it has also been a good opportunity for observation. It allowed me to more deeply feel the essence of life,”