ATL Fringe: The Buzz Intro Interviews
The Buzz Intro Interview | DreamCatcher ENT
“I was married about 14 years before I got divorced. When I started dating, it was like learning a new language. I’ve had some unbelievable experiences-good and bad. If nothing else, it’s certainly been entertaining.”
The Buzz Intro Interview | Open Canvas Live
“The amount of people that reach out to us after every episode, expressing their appreciation, let’s us know that our show is changing lives.”
The Buzz Intro Interview | Twiggstory Inc
“I hope this will inspire working artists to demand better from the companies they’re giving their best ideas and work to, and help people who have been in situations or relationships with a clear power imbalance to feel seen.”
The Buzz Intro Interview | Thromabone Productions
“I’ve learned that a piece of work, no matter how many times it’s done, is always in flux, always capable of being improved upon, especially after it’s been incubating for years.”
The Buzz Intro Interview | The Parliament of Owls
“Honestly, our show is probably going to bring variety shows back to the popular consciousness. In the end, this will end poverty, racism, and stop people from leaving their carts loose in the grocery store parking lot.”
The Buzz Intro Interview | Silk Purse Productions
“We’re never done writing and crafting! The communal nature of our work makes for rewrites and new looks, but the time has come to let it rest and take final shape.”
The Buzz Intro Interview | Hannah Myers + Artists
“This show involves dance, props, video projections and poetry. Each layer adds more texture and I think it makes the show feel more inclusive for audience members.”
The Buzz Intro Interview | Friendly Neighborhood Theatre Co.
“I love the weirdness and urgency of a festival. No theatrical setting as an adult has so re-captured for me the feeling of doing a play in the middle school cafeteria.”
The Buzz Intro Interview | CurvyYogini
“I love the way festivals bring people together to create temporary community. We come together, experience something amazing, inspiring, and thought provoking, then we go back to our regular lives, changed in some way.”
The Buzz Intro Interview | Clown Corp LLC
“I think we were all a little exhausted by seeing sex portrayed on stage so violently and carelessly. In part, we wanted to make a show that celebrated the silliness of both sex and violence without traumatizing our audience.”
The Buzz Intro Interview | Christmas Eve Dinner
“We wanted to write something that is simultaneously a sh*tpost and a critique of how we talk about race. Cue the Fair Use Grinch.”
The Buzz Intro Interview | Fehu Harvest Production
“My commitment is do work that moves people deeply no matter what. Art is not your friend & if it rattles your cage all the better.”
The Buzz Intro Interview | ONE DOUBLE-O FOUR EIGHT
“Shadows are cool! They force us to see extremes of black-and-white but invite us to explore the gray.”
The Buzz Intro Interview | Dawn Larsen
“Women, especially older women, are treated as if we are invisible. Ironic because at this age, I am finally accruing enough wisdom and life experience to write in a more meaningful way.”
The Buzz Intro Interview | Strange Fangs Song Factory
“We keep finding new ways to add complexity to parts of the show. Every time we finish a run of shows, thinking that it’s exactly what it needs to be, we then turn around and realize that we could add an entirely new dimension to what we had.”
The Buzz Intro Interview | Next Stage
“Fundamentalist Christian traditions want the Bible to be this exacting thing that offers clear answers to the meaning of life. But it doesn’t.”
The Buzz Intro Interview | Burning Bones Physical Theatre
“This production crawled up inside my brain and demanded an exorcism.”
The Buzz Intro Interview | Cirque Us
“Last year our show moved a lot of people to tears. We performed a few weeks ago in Boston and an audience member told us, ‘This was the happiest I have felt since 2019.’ The circus is magical.”
The Buzz Intro Interview | Femme Futuriste
“Covid has really put a damper on things, for sure. But the advancement of virtual conferences have allowed me to hold rehearsals from LA when most of the cast is in Atlanta. It takes a bit of coordination, but that’s my optimistic take on this whole ordeal.”
The Buzz Intro Interview | Flora Le
“I’ve been wanting to tell this story on stage ever since I completed my motorcycle trip in 2014. Throughout my journey, I wrote a travel blog (in French) that became popular. This made me realize that I had a good story worth telling.”
The Buzz Intro Interview | The Abbey Theatre of Dublin, Ohio
“This is the most meaningful theatrical experience I have had so far and the conversations that this piece inspires, is in fact the whole point of doing this play and these dialogues and conversations are more important than the play itself.”
The Buzz Intro Interview | Pyroclastic Funk
“I have a poem called “The Playboy of SeaWorld” about having (consensual) sex with a dolphin. It’s the only poem of mine that my mom doesn’t like.”
The Buzz Intro Interview | Literary Gumbo Actors
“I do hope that my mother’s energy is floating around me supporting my efforts even though I know for a fact that she wouldn’t approve of the content.”
The Buzz Intro Interview | Phoebe Perry
The fear of creating something new and getting feedback got me baking pies, vacuuming under the bed and anything other than writing a play. Now I have baked the pies, vacuumed under every surface, and made something I can press “submit” on.
The Buzz Intro Interview | Trajectory Improv
There was a lot more audience feedback when we were performing live. We had to change our thought process to focus on what makes us laugh. I think it’s made us level up in the overall quality of laughs we produce.
The Buzz Intro Interview | Michelina Moen
Surrender is the greatest teacher in this type of show. But in that required is listening. To myself, the energy in the room, to a higher Self. And then forgiveness.
The Buzz Intro Interview | Coyle Street Productions
“At first I was disappointed about not being able to do it in an actual theatre or performance space, but I’m actually loving what it’s doing for the show. It feels like the MTV Unplugged version of it.”
The Buzz Intro Interview | Non Violet Offenders
“I love working with this cast and crew! They really make every moment really fun and enjoyable. Not enough can be said about working with real friends.”